Posts Tagged ‘instruction’
Bass Video Lessons: Be Aware Of Your Potential
February 24th, 2010
There are a variety of different ways to learn how to play bass guitar and the varieties all can have an impact on how you learn. For instance, if you wish to play blues music bass lessons for blues music would be really focused on your style but bass lessons can be taken for all styles, genres and levels. There are even differences in wanting to be solo musician playing around the house for fun and playing in a band which will cause variations in how you should learn your new instrument.
Bass Lessons are available in all kinds of formats these days audio, video, book and even on-line. No matter what type of media you choose to start your journey to learning how to play slap bass you must always concentrate on the fundamentals no matter what your skill level. Even a professional like Tiger Woods has a teacher or a coach that makes sure he never loses site of the foundations that built his golf game to what it is today.
If one grasps the notes of a regular guitar through his ears, a bass player grabs the notes of a bass guitar through his chest. The bass guitar pounds on the heart and gives it feelings through the depth of the music. Learn the notes (single chords) on a regular guitar.
Choose a bass guitar and familiarize yourself in holding it. The “waist” or the slope of the body of the guitar would fit perfectly on your thigh while sitting. Regularly exercise the flexibility of your fingers by alternately tapping each on a flat surface so that strumming the notes will not be a problem.
There are a lot of tuning variations. You could tune your 5 string beginning with the E and making your last string a C, for example. Also there are a lot of tunings, including the drop down ones, which means turning down one step or more your lowest string .Those are great for heavy-hard rock styles.
Bass practice with fretboard patterns should include things such as the use of sweep picking with the 3 note per string pentatonic scale in the rock or blues bass style. You want to be able to practice with many different scales patterns as possible so that you are able to execute the runs and licks and lead lines of a wide variety of bass players and style of music that you personally are interested in.
Another thing to point is not to get anxious to play a solo. Bass is mainly focused on keeping time, and in popular music there are a few tunes that include a bass solo. So, don’t rush up, find the right moment for playing a solo, do it musically and pick the notes with care.
Finally, don’t think that just because this or that famous rock star does something means that it’s good technique. Take time to observe the performances of the bassists in the trenches, the ones backing up the stars. Where does she place her hands? How high or low does she wear the bass?
Finding the best information about learn to play bass can be overwhelming at times. One of the best places we found online to get the straight facts is bass video lessons
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Drum Instruction DVD: Be Your Own Teacher
February 24th, 2010
My experience with the speed drumming is a strange one. Basically, one October day, while picking up some drum sticks at a local music store, I noticed drummers using a device called a “Drumometer. This “drumming speed” measurement device used a practice pad for a striking surface with an embedded piezo trigger. The trigger was connected to a counter-timer computer brain that had a count and a timer display.
Your physical body can always do what you mind can conceive. Before you know it you will be producing you own style that others desire of you. It all starts in the mind.
Drumming at times can be a bit strenuous, though you will be able to play for hours when keeping the body relaxed. Without performing warm-up exercises before playing, the body can become tense and show signs of fatigue within a short while. We will explore exercises that are quick and easy encompassing the whole body from head to toe.
Vinnie Colauita once said, “Just play in 7 for like an hour”. This is especially insightful as we can often get caught up in studying things too closely and miss the point. Sheer repetition will help lead to more comfort in odd times.
Depending on the type of music, begin your solo to match the flow of the music. You might not want to perform a hard and fast solo to slow, smooth, easy listening jazz nor drum softly to hard, power-driven metal. Make your solo tasteful. Let it make a statement and signature of what you are creating. Utilize all the instruments of your drum set such as your snare drum, bass drum, toms, cymbals and other instruments that accompany the drum set. The final step in developing a solo.
However, six months is not an ideal time. If you have been playing the drum too often lately, consider changing it even though you may have changed it four months back. Signs that should tell you it is now the time for you to change are indents and cracks.
Well, I asked around a bit and was surprised to learn that the history of second line is a bit cloudy. Nobody can seem to agree on how it evolved, I heard stories about there being a line of musicians and staff that marched behind the mourners (second line) at a funeral parade in New Orleans. Apparently the musicians would play funeral marches on the way to the funeral and more livelier pieces on the return home.
Drummers like Zigaboo Modeliste and Johnny Vidacovich mixed second line with syncopated funk, developing a style called “second-line funk drumming”. This style was popularized in many famous bands that came from New Orleans like the Meters (see below). Second line drumming often involves a 3/2 son clave not dissimiliar to the Bo Diddley beat although it doesn’t necessarily always follow that rule, and Second line beats are also called “Street Beats”.
All the underground, ninja stealth tactics for drum lesson can be yours! Check out this free website drum instruction dvd before they try to shut it down.
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Guitar Instructional DVD: Don’t Slow Down Your Progress With Private Lessons
February 24th, 2010
Like you probably have done, I have read a ton of interviews with great players and articles written by many of these same players. I often found it frustrating whenever the subject of learning to play guitar came up or when advice was offered on improving one’s playing. With a small number of exceptions, very little time and space was offered on this.
Its not uncommon to see the player’s advice be summed up in a grand total of three words: Practice! Practice!! Practice!!! Well of course we all know that practicing is the main ingredient. But rarely are we told much more than that. In my long quest to become an excellent player and to help my students do the same I carefully took note of what worked and what didn’t. What parts conventional wisdom is accurate and what parts are (at least in my opinion) are not. I believe the twenty concepts that have proven to bring great results to those who use them are:
But no matter how good you get, there will always be something you can learn from someone else. Seek out those people, get to know them, jam with them, discuss music and guitar with them. Be willing to give as much (or more) as you want to take. If you are fortunate enough to be above the level of other guitarists in your area, seek out great bassists, pianists, violinists, drummers, etc. You can learn from them as well. (Even if you are not better than your guitar player friends, seek out musicians that play other instruments as well anyway).
The only time one needs to learn lots of different styles of music is because your goals REQUIRE it. If you truly love a lot of styles and want to learn them all, then go ahead and do that. If you want to be a studio musician or a jobber, then you will need that versatility. Its very hard to be REALLY good at many styles.
The way you view yourself (as an artist and not merely someone who owns a guitar and plays it sometimes) is very important to the way you will think about what you are doing musically. The way you see yourself will also effect the results you will get as you are expressing yourself.
But for many people, it is a very disconcerting experience. I have gotten letters from people who have read some things I have written, and become afraid to practice! They are so aware of, and on their guard against, excess muscle tension, and the devastating effects for the developing player, they are afraid to touch a string!
You can undo bad habits you have learned along the way. You can begin the process of undoing bad habits right away, when you begin to acquire the correct understandings, and use the approaches based on them.
For instance, practice chord changes. Perhaps switching from an F barre chord to a D open is driving you crazy. Spend ten minutes going over and over the change.
The gurus hate it when their personal secrets about learning how to play guitar get exposed! Now they’re fuming mad about this site guitar instructional dvd and trying to shut it down.
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